![]() The song’s monstrously catchy chorus has all the anthemic qualities that fans would come to expect from a Japandroids hook, and its overall construction is solid enough to make up for a couple lyrical shortcomings. The album’s title track is a great example of the band’s modus operandi, featuring Brian King’s howling vocals and Bob Mould-esque guitar stabs meshing perfectly with David Prowse’s powerful drumming and distinct harmonies. However, aside from a few tracks, most of the songs here feel like traditional Japandroids songs with slight twists on the formula. The band intended for their new third album, Near to the Wild Heart of Life, to be a radical departure from their first two records, and much of the press surrounding the record referred to the band’s inclusion of “ballads” and synthesizers. They soon cultivated a reputation as an exciting, energetic live band and their follow-up, 2012’s Celebration Rock, was heralded as one of that year’s best albums. The band planned to disband in early 2009, but stuck together after its debut album Post Nothing received rapturous reviews from tastemaking websites such as Pitchfork. The career arc of Japandroids is as important to the Vancouver duo’s legacy as their actual music.
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